Review of "Double Indemnity"

divalent restoration Billy Wilders 1944 film noir classic, Double Indemnity, is a tale of lust, deceit, cupidity and murder. Its shadowy and dodgy scenes assistant to show the dark absentice of the characters involved in the plot. Somewhat familiar to the film noir music genre is the presence of the femme fatale, who by temper is out to exploit any mavin in her way to accomplish her objective. Double Indemnity is no exception. Its the fib of a wife, Phyllis Dietrichson (Barbara Stanwyck), who lures an indemnification salesman into a plot to murder her married man in smart set of battle to collect on an restitution policy. Walter Neff (Fred MacMurray), the salesman, is so potty with Dietrichson from the moment that he laid eyes on her that he is easily taken. So much so that he is the one to conceive the entire proposal. And a clever scheme it was. The jut was to sell the unsuspecting husband a feel insurance policy policy without him knowing about it. Th en plot of play taking the husband to the train station for a detect trip, Neff would murder him and then board the train as if he were Mr. Dietrichson. Subsequently, he would stage an accident where it appeared that he had fallen onward the train and died. They would then lay the already lifeless follow of the real Mr.

Dietrichson on the tracks to be found and then the outpouring would be ruled an accident. They could then collect twice the insurance money under a double indemnity condition of the insurance policy. A flawless plan, so they thought. The only affair is that Neffs boss, Barton Keyes (Ed ward G. Robinson), is a pesky insurance clai! ms investigator that wont quit. The film begins with Neff whimsical to his office in the middle of the night to make a confession about... If you want to get a full essay, swan it on our website: BestEssayCheap.com

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